TOM WAITS TALES FROM THE UNDERGROUND Volume 1 - 5 VOLUME ONE BLUE SKIES (Tom Waits) From the ’Heart of Saturday Night’ sessions. Recorded December 26, 1973. Available on the bootleg ’A Nickel’s Worth of Dreams’ Acoustic version available on ’The Early Years Volume Two’. JERSEY GIRL (Tom Waits) Alternative master. Taken from the compilation album ’Bounced Checks’ 1981. WHISTLIN’ PAST THE GRAVEYARD (Tom Waits) Alternative master. Taken from the compilation album ’Bounced Checks’ 1981 MR HENRY (Tom Waits) Taken from the compilation album ’Bounced Checks’ 1981. DOWNTOWN TRAIN (Tom Waits) Wrongly listed as an "NME mix", this is really the 'Rain Dogs' album track. The real NME mix - available on a free EP, 'NME's Big Four' (NME GIV 3) in 1986 - has a different mix and some alternative lyrics. I’M NOT YOUR FOOL ANYMORE (Teddy Edwards) Taken from Teddy Edwards’ album ’Mississippi Lad’ 1991. Tom Waits: Vocals Teddy Edwards: Tenor saxophone Nolan Andrew Smith: Trumpet Jimmy Cleveland: Trombone Art Hillery: Piano Leroy Vinnegar: Bass Billy Higgins: Drums Produced by Jean-Philippe Allard ADIOS LOUNGE (Bob Kuhn / George M Kuhn) Taken from Thelonius Monster’s album ’Beautiful Mess’ 1992. Bob Forrest: Vocals Dix Denney: Guitar Chris Handsome: Guitar Peter Weiss: Drums Martin LeNoble: Bass Tom Waits: Vocals Al Kooper: Keyboards Sam Bush: Mandolin Produced by Al Kooper SEA OF LOVE (Phil Battiste / George Khoury) Taken from the ’Sea of Love’ soundtrack 1989. Original recording by Phil Phillips and the Twilights 1959. SILENT NIGHT Taken from a single by S.O.S. United 1989 Tom Waits: Vocals LITTLE MAN (Teddy Edwards) Taken from Teddy Edwards’ album ’Mississippi Lad’ 1991. Tom Waits: Vocals and guitar Teddy Edwards: Tenor saxophone Art Hillery: Piano Leroy Vinnegar: Bass Produced by Jean-Philippe Allard WHAT KEEPS MANKIND ALIVE (Kurt Weill) Taken from ’Lost in the Stars : The Music of Kurt Weill’ 1985. HEIGH-HO (THE DWARFS’ MARCHING SONG) (Larry Morey / Frank Churchill) Taken from ’Stay Awake : Various Interpretations of Music from Vintage Disney Films’ 1988. Original recording by Horace Heidt and his Musical Knights, in the film ’Snow White and the Seven Dwarfs’ 1938. Tom Waits: Vocals Tchad Blake: Optigon programming Mitchell Froom: Chamberlain Val Kuklowsky: Sound effects Marc Ribot: Guitar Larry Taylor: Bass THE PIANO HAS BEEN DRINKING (Tom Waits) Live in Dublin, March 1981. Taken from the compilation album ’Bounced Checks’ 1981. IT’S ALL RIGHT WITH ME (Cole Porter) Taken from ’Red Hot + Blue : A Tribute to Cole Porter’ 1990. Original version by Peter Cookson, in the musical ’Can-Can’ 1953. Tom Waits: Vocals, chamberlain, percussion Greg Cohen: Percussion Produced by Tom Waits and Greg Cohen. TOMMY THE CAT (Primus / Les Claypool) Taken from Primus’ album ’Sailing the Seas of Cheese’ 1991 Tom Waits: Vocals Les Claypool: Bass and vocals Larry LaLonde: Guitar Tim "Herb" Alexander: Drums FILIPINO BOX SPRING HOG (Early version) (Tom Waits) Recorded during the 'Bone Machine' sessions 1992. Taken from the various artists compilation ’Born to Choose’ 1993. Tom Waits: Vocals, percussion David Hidalgo: Fiddle Larry Taylor: Bass 16 SHELLS FROM A THIRTY-OUGHT SIX (Tom Waits) Live at Folies Bergere, in Paris on November 16, 1985. Available on the bootleg 'Paris at Midnight'. RAIN DOGS (Tom Waits) Live at Folies Bergere, in Paris on November 16, 1985. Available on the bootleg 'Paris at Midnight'. JESUS BLOOD NEVER FAILED ME YET (CODA) (Excerpt) (Gavin Bryars) Taken from Gavin Bryars’ album ’Jesus Blood Never Failed Me Yet’ 1993. Tom Waits: Vocals (with a London tramp). Produced by Michael Riesman. VOLUME TWO WAITIN’ FOR WAITS (Cole / Jefferson) Taken from Richie Cole’s album ’Hollywood Madness’ 1980. Richie Cole: Alto saxophone Bruce Forman: Guitar Dick Hindman: Piano Bob Magnusson: Bass Les DeMerle: Drums Eddie Jefferson: Vocals Tim Hauser: Vocals Alan Paul: Vocals Janis Siegel: Vocals Cheryl Bentyne: Vocals Tom Waits: Voice on the last 20 seconds. Produced by Tim Hauser I’LL NEVER LET GO OF YOUR HAND (Tom Waits / Kathleen Brennan) Taken from the film ’American Heart’ 1992. No soundtrack album available. WALK AWAY (Tom Waits / Kathleen Brennan) Taken from the ’Dead Man Walking’ soundtrack 1995. Produced by Tom Waits and Kathleen Brennan. Tom Waits: Vocals Ralph Carney: Bass clarinet, handclaps Larry Taylor: Bass, guitar Joe Gore: Guitar SLEEP TONIGHT (Jagger / Richards) Taken from the Rolling Stones’ album ’Dirty Work’ 1986 . Tom Waits: Backing vocals. I’M CRAZY ’BOUT MY BABY (And My Baby’s Crazy ’Bout Me) (Thomas Waller / Alex Hill) Taken from the film ’American Heart’ 1992. No soundtrack album available. Original recording by Fats Waller with Ted Lewis and his Band 1931. THE PONTIAC (Tom Waits) Taken from the various artists compilation ’Smack My Crack’ 1987. TAKE CARE OF ALL MY CHILDREN (Tom Waits) Taken from the film ’Streetwise’ 1984. No soundtrack album available. SERRANO (Tom Waits) Taken from the floppy disc inserted in the back cover of Sylvia Plachy’s book of photography ’Unguided Tour’ 1990. Re-arranged and recorded as ’Russian Dance’ on ’The Black Rider’. Tom Waits: Various instruments. Greg Cohen: Upright bass. THE FALL OF TROY (Tom Waits / Kathleen Brennan) Taken from the ’Dead Man Walking’ soundtrack 1995. Produced by Tom Waits and Kathleen Brennan. Tom Waits: Vocals, guitar Larry Taylor: Upright bass Joe Gore: Guitar Ralph Carney: Bass clarinet JESUS’ BLOOD NEVER FAILED ME YET (High Strings) (Excerpt) (Gavin Bryars) Taken from Gavin Bryars’ album ’Jesus Blood Never Failed Me Yet’ 1993. Produced by Michael Riesman. Tom Waits: Vocals. MARTIN GOES AND DOES WHERE IT’S AT (Martin Mull) Taken from Martin Mull’s album ’I’m Everyone I’ve Ever Loved’ 1977. Tom Waits: Voice (with Martin Mull). EGGS AND SAUSAGE (Tom Waits) A capella version from 'Soundstage', Chicago 1976. Available on the bootleg 'Drunk on the Moon'. DATE TO CHURCH (Reverend Backwash) (Paul Westerberg) B-side of the Replacements’ single ’I’ll Be You’ 1989. Also available on the Sire Records compilation ’Just Say Mao’ 1989. Paul Westerberg: Vocals and guitar Slim Dunlap: Guitar Tommy Stinson: Bass Chris Mars: Drums Tom Waits: Backing vocals METROTOWN (Jem Finer / Tom Waits) This is originally 'Metropolis' (written by Jem Finer) from the Pogues' 1988 album 'If I Should Fall from Grace with God'. The horn section plays an arrangement very reminiscent of Tom's 'Midtown' from 'Rain Dogs'. Here the two tracks have been mixed together, the complete 'Metropolis' followed (at about 2:45) by the last 30 seconds of 'Midtown'. 1,000 BING BANGS (Ken Nordine / Tom Waits) Taken from Ken Nordine’s album ’Devout Catalyst’ 1991. Ken Nordine: Voice Tom Waits: Voice Jerry Garcia: Acoustic guitar Produced by Dan Healy DOWN THERE BY THE TRAIN (Tom Waits) Taken from Johnny Cash’s album ’ American Recordings’ 1994. Tom Waits does not perform on this recording. Johnny Cash: Vocals and guitar Produced by Rick Rubin SWEET AND SHINY EYES (Nan O'Byrne) Taken from Bonnie Raitt’s album ’Homeplate’ 1975. Tom Waits: Piano and backing vocals. Produced by Paul Rothchild. FUMBLIN’ WITH THE BLUES (Tom Waits) Live at the Hotel l’American, Amsterdam, May 26, 1976. DRUNK ON THE MOON (Tom Waits) Live at the Hotel l’American, Amsterdam, May 26, 1976. VIRGINIA AVENUE (Tom Waits) Live at the Hotel l’American, Amsterdam, May 26, 1976. TANGO TILL THEY’RE SORE (Tom Waits) Live at Folies Bergere, in Paris on November 16, 1985. Available on the bootleg 'Paris at Midnight'. VOLUME THREE LITTLE DROP OF POISON (Tom Waits / Kathleen Brennan) Taken from the ’End of Violence’ soundtrack 1997. Produced by Tom Waits and Kathleen Brennan. The intro here is taken from the film ’Bram Stoker’s Dracula’. WHAT ELSE IS NEW (I) (Tom Waits) From the Small Change sessions, July 15, 1976. Available on the bootleg ’A Nickel’s Worth of Dreams’. This track was damaged on the original 'Tales 3' release. The song is interrupted by a snippet from 'Big Rock Candy Mountain'. The track was therefore included (undamaged) on Volume 4 too. POOR LITTLE LAMB (Tom Waits) Demo recording. JERSEY GIRL (Tom Waits) From a Bruce Springsteen concert at LA Sports Arena on August 24, 1981. Tom Waits: Vocals (duet with Bruce Springsteen). WITH A SUITCASE # 1 (Tom Waits) Rhythm section version. From the ’Paradise Alley’ sessions, September 7, 1978. Available on the bootleg ’A Nickel’s Worth of Dreams’. (MEET ME IN) PARADISE ALLEY (Tom Waits) Recorded September 7, 1978. Taken from the soundtrack album 'Paradise Alley' 1978. Available on the bootleg ’A Nickel’s Worth of Dreams’. ANNIE’S BACK IN TOWN (Tom Waits) Recorded September 7, 1978. Taken from the soundtrack album 'Paradise Alley' 1978. Available on the bootleg ’A Nickel’s Worth of Dreams’. WITH A SUITCASE # 2 (Tom Waits) Street band version. From the ’Paradise Alley’ sessions, September 7, 1978. Available on the bootleg ’A Nickel’s Worth of Dreams’. STRANGE WEATHER (Tom Waits) Demo version. STANDING ON THE CORNER (Frank Loesser) Recorded live at the Agora Ballroom in Cleveland, Ohio, August 25, 1976. Available on the bootleg ’One Night Stand’. Original performance by Shorty Long, Alan Gilbert, John Henson and Roy Lazarus in the musical ’The Most Happy Fella’ 1956. A minor hit for The Four Lads in 1960. MOVIE (Ken Nordine / Tom Waits) Taken from Ken Nordine’s album ’Devout Catalyst’ 1991. Ken Nordine: Voice Tom Waits: Voice Jerry Garcia: Acoustic guitar Produced by Dan Healy NO ONE CAN FORGIVE ME BUT MY BABY (Tom Waits) Taken from John Hammond’s album ’Got Love If You Want It’ 1992. Tom Waits does not perform on this recording. John Hammond: Vocals, guitar and harmonica Produced by J J Cale PLAYIN’ HOOKY From the ’Foreign Affairs’ sessions, July – August 1977. Available on the bootleg ’A Nickel’s Worth of Dreams’. A NICKLE’S WORTH OF DREAMS (Tom Waits) From the ’Foreign Affairs’ sessions, July – August 1977. Available on the bootleg ’A Nickel’s Worth of Dreams’. MR HENRY (Early version, aka TIE UNDONE) (Tom Waits) From the ’Foreign Affairs’ sessions, July – August 1977. Available on the bootleg ’A Nickel’s Worth of Dreams’. BRONX LULLABY (aka SMUGGLER’S WALTZ) (Tom Waits) Taken from the TV documentary ’Poetry in Motion’ 1982. Available on the bootleg ’A Nickel’s Worth of Dreams’. ONCE MORE BEFORE I GO (Tom Waits) From the film ’Candy Mountain’ 1987. No soundtrack album available. Tom Waits: Vocals (in character). STRAY DOG (Tom Waits) From the ’Small Change’ sessions, July 15, 1976. Available on the bootleg ’A Nickel’s Worth of Dreams’. BIG ROCK CANDY MOUNTAIN (Traditional) A hobo ballad from around 1885, attributed to Harry "Haywire Mac" McClintock. From the film ’Ironweed’ 1987. Tom Waits: A capella vocals (in character). RAINBOW SLEEVES (Tom Waits) Taken from Rickie Lee Jones’ album ’Girl at Her Volcano’ 1983. Also available on the ’King of Comedy’ soundtrack 1983. Produced by Rickie Lee Jones. Tom Waits does not perform on this recording. VOLUME FOUR SAVING ALL MY LOVE FOR YOU (Tom Waits) From the ’Foreign Affairs’ sessions, July – August 1977. Available on the bootleg ’A Nickel’s Worth of Dreams’. Official version released on 'Heartattack and Vine' 1980. WHAT ELSE IS NEW (II) (Tom Waits) From the ’Small Change’ sessions, July 15, 1976. Available on the bootleg ’A Nickel’s Worth of Dreams’. CHASE THE CLOUDS AWAY (Tom Waits) From the ’Black Rider’ rehearsal sessions 1990. With the Devil’s Rubato Band. Available on the bootleg 'Black Rider Outtakes'. FLASH PAN HUNTER (Tom Waits / William S. Burroughs) 1990 demo version. Available on the bootleg 'Black Rider Outtakes'. I FORGOT MORE THAN YOU’LL EVER KNOW (Cecil A. Null) From an Elvis Costello & the Attractions concert at the Beverly Theatre in LA, October 4, 1986. Written in 1953. Recorded by Steve Sholes. Recorded by Bob Dylan on 'Self Portrait' in 1970. Tom Waits: Vocals Elvis Costello: Vocals and guitar Steve Nieve: Organ Bruce Thomas: Bass Pete Thomas: Drums Lou Reed: Guitar HANG ON ST CHRISTOPHER (Tom Waits) Extended remix. Taken from the 12 inch single ’Hang On St Christopher’. WORLD OF ADVENTURE / RIVER OF MEN (Tom Waits) From the TV series ’Fishing with John’ 1998. Tom Waits: A capella vocals (with John Lurie). PURPLE AVENUE (aka EMPTY POCKETS) (Tom Waits) Live at the Montreal Jazz Festival, Expo Theatre, Montreal, July 3, 1981. OLD TIME FEELIN’ (Guy Clark) Taken from Ramblin’ Jack Elliott’s album ’Friends of Mine’ 1996 (unlisted bonus track). Recorded at Prairie Sun Recording Studios, Cotati, CA, on May 28, 1996. Tom Waits: Vocals (with Ramblin' Jack Elliott and Guy Clark). "We were kiddin' around in the studio and it found its way on tape. It was just a feelin'." - Ramblin’ Jack Elliott OL’ 55 STORY (Tom Waits) From a concert with The Mothers of Invention at the Orpheum Theatre, Boston, November 9, 1974. Tom Waits: Voice (with Frank Zappa) LOUISE (Tom Waits / Kathleen Brennan) Taken from Ramblin’ Jack Elliott’s album ’Friends of Mine’ 1998. Recorded at Prairie Sun Recording Studios, Cotati, CA, on May 28, 1998. Tom Waits: Vocals and guitar Ramblin’ Jack Elliot: Vocals Peter Rowan (?): Guitar Ruth Davies: Bass Billy Wilson: Accordion JUST ANOTHER DIME STORE NOVEL (Tom Waits) From the ’Foreign Affairs’ sessions, July – August 1977. Available on the bootleg ’A Nickel’s Worth of Dreams’. PAPA’S GOT A BRAND NEW BAG (James Brown) Recorded live at Massey Hall, Toronto on August 7, 1987. Original recording by James Brown 1965. BROTHER CAN YOU SPARE A DIME? (E Y Harburg / Jay Gorney) Taken from the various artists compilation of the same name, recorded for the National Fund-Raising Day of Action 1992. Originally performed by Rex Weber in the revue ’Americana’, 1932. EGGS & SAUSAGE / INVITATION TO THE BLUES (Tom Waits) Live medley. Broadcast on WNEW Radio on December 14, 1976. TEMPTATION (Tom Waits / Kathleen Brennan) Recorded live with Los Lobos at the LA Riot Benefit at the Wiltern Theatre on May 30, 1992 Tom Waits: Vocals. PURPLE AVENUE (Tom Waits) Taken from Holly Cole’s album ’Blame It On My Youth’ 1992. Holly Cole: Vocals Aaron Davis: Piano David Piltch: Bass Produced by Greg Cohen HANG ON ST CHRISTOPHER (INSTRUMENTAL) (Tom Waits) Taken from the 12 inch single ’Hang On St Christopher’. Same as the FWY track, but without the vocals. VOLUME FIVE ON THE ROAD (Jack Kerouac) Taken from the album ‘Jack Kerouac reads On the Road’ 1999 Performed by Tom Waits with Primus Produced by Tom Waits COATTAILS OF A DEAD MAN (Les Claypool / Primus) Taken from Primus’ album ‘Antipop’ 1999 Tom Waits: Vocals and mellotron Les Claypool: Vocals and bass Larry LaLonde: Guitar Brain: Drums Martina Topley-Bird: Vocals Produced by Tom Waits IT RAINS ON ME (Chuck E. Weiss / Tom Waits) Taken from Chuck E. Weiss’ album ‘Extremely Cool’ 1999 Tom Waits: Vocals and acoustic guitar Chuck E. Weiss: Vocals and drum Produced by Tom Waits DO YOU KNOW WHAT I IDI AMIN (Chuck E. Weiss / Tom Waits) Taken from Chuck E. Weiss’ album ‘Extremely Cool’ 1999 Tom Waits: Vocals Chuck E. Weiss: Vocals Jon Herron: Organ Tony Gilkison or J J Holiday (?): Guitar Will McGregor or Rick Vito (?): Bass Nick Vincent: Drums Produced by Tom Waits PUTTING ON THE DOG (Tom Waits / Kathleen Brennan) Taken from the 'Liberty Heights' soundtrack album 1999 Tom Waits: Vocals, piano, shaker and train whistle Matt Brubeck: Bass Joe Gore: Guitar Andrew Borger: Congas Jeff Sloan: Bongos Nic Phelps: Saxophone Produced by Tom Waits and Kathleen Brennan IT'S OVER (Tom Waits / Kathleen Brennan) Taken from the 'Liberty Heights' soundtrack album 1999 Tom Waits: Vocals and guitar Matt Brubeck: Bass Joe Gore: Banjo and guitar Andrew Borger: Percussion Nic Phelps: Saxophone Roxanne Marie: Accordion Produced by Tom Waits and Kathleen Brennan BOOKS OF MOSES (Skip Spence) Taken from the Skip Spence tribute album ‘More Oar’ 1999 Tom Waits: Vocals, guitar, drums and maraccas Produced by Tom Waits BABBACHICHUIJA (Tom Waits) Taken from the compilation ‘Orbitones, Spoon Harps & Bellowphones’ 1999 Tom Waits: Vocals, washing machine, squeaky door, and sewing machine Produced by Tom Waits HIGHWAY CAFE (Kinky Friedman) Taken from the Kinky Friedman tribute album ‘Pearls in the Snow’ 1999 Produced by Tom Waits HELIUM REPRISE (Orton / Wachtel / Waits) Taken from Tin Hat Trio’s album ‘Helium’ 2000 HOME I'LL NEVER BE (aka ON THE ROAD) (Jack Kerouac) Live from the Allen Ginsberg tribute at Wadsworth Theatre, LA, June 21, 1997 Tom Waits: Vocals and acoustic guitar WHOSE SPORTS COAT IS THAT? Live at the Beacon Theatre, New York, November 15, 1979 TRASH DAY Live at the Beacon Theatre, New York, November 15, 1979 BIG IN JAPAN (Tom Waits) Taken from C-Side’s and Petit Mal’s album ‘Moanin' Parade’ 2000 OLD BLONDE GAL / BIG OL' MOON Taken from C-Side’s and Petit Mal’s album ‘Moanin' Parade’ 2000 WHITE RABBIT'S LAMENT Taken from C-Side’s and Petit Mal’s album ‘Moanin' Parade’ 2000 TILL THE WHEELS COME OFF Taken from C-Side’s and Petit Mal’s album ‘Moanin' Parade’ 2000 REVIVAL REVELRY Taken from C-Side’s and Petit Mal’s album ‘Moanin' Parade’ 2000 TALES FROM THE RIVERSIDE: >As we all know, the Tales From The Underground bootleg series is a great thing, for it features a huge collection of rare Tom Waits-songs that can't be found on his official albums. Nevertheless, the folks who produced those bootlegs made some mistakes and forgot some great recordings. And there were a lot of new songs released after Tales From The Underground Volume 5 came out. Hence we decided not to wait for Volume 6, but to produce our own compilation. It's entitled Tales From the Riverside. The first four tracks are improvements of the Tales From The Underground bootlegs. Volume 1 claims to feature an "alternate master" of Downtown Train, but in fact it's the same version as on Rain Dogs. So here you'll get the real "alternate take", it's called Downtown Train (NME version) and was recorded from a promo EP that came with the New Musical Express on the 1st of February 1986. The following three tracks are already to be found on Tales From the Underground Volumes 3 and 4, but we weren't satisfied with the sound quality of these tracks, which sound as if they were recorded from an old tape. We managed to get our hands on the original sources of these songs (that means the promo CD "Brother, Can You Spare A Dime?" Day from 1993 and the original soundtrack Paradise Alley from 1978), so that you'll get the crystal clear original recordings of these songs with our compilation. The World Keeps Turning is Tom's brandnew contribution to the soundtrack "Pollock", which was released february 2001. The song Bend Down The Branches is taken from the short movie "Bunny", 1998. Of course there's no soundtrack album available and we had to record this track from video - and unfortunately the result is of very poor sound quality. The following two tracks, the traditional gospel I Know I've Been Chanced and Leadbelly's I Ain't Goin' Down To The Well No More, were taken from the TV documentary "Freedom Highway", 1999. These are two really great solo performances by Tom, who plays Banjo, kicks the tambourin and shouts out the lyrics as if his life depends on it - but you can see by yourself, for these tracks are to be found on the video CD too. Rains On Me is taken from the benefit album "Free The West Memphis 3", 2000. It's an alternate take of Tom's duet with Chuck E. Weiss It Rains On me from Weiss' album "Extremely Cool", 1999. Fish In The Jailhouse and 2:19 seem to be Mule Variations outtakes. There aren't any studio recordings of these songs available so far (at least by Tom), but Tom played these songs every now and then on the Get Behind The Mule Tour 1999, and we tried to pick out two really good sounding audience recordings. On the same tour Tom performed a new and absolutely fantastic version of Gun Street Girl in which he used Leadbelly's I Ain't Goin' Down To The Well No More for the chorus. Down There By The Train was written for Johnny Cash, who recorded this song for his album "American Recordings" 1994. As fas as we know there's only one rendition by Tom himself, from the Storming Heaven Benefit, Healdsburg, August 11, 1996. It seems to be impossible to find a really good recording of this historic moment, so that the sound quality of this track is rather poor. But - what a performance! The small excerpt from Jesus' Blood Never Failed Me Yet was performed by Tom during the radio show "Studio C", KBCO FM, October 13, 1999. Buzz Fledderjon and Big Face Money came as bonus tracks with the CD single "Hold On" 1999. The following two tracks are duets Tom recorded with other artists during the last year. I'll Tell You Why That Is is taken from Dan Hick's album "Beatin' The Heat", 2000, and I Know I've Been Changed was originally released on John Hammond's album "Wicked Grin", 2001. The last four tracks are songs that were never recorded by Tom himself (as far as we know). But He's Not Wilhelm and In The Morning are two beautiful songs from the musical "The Black Rider". You'll find the full cast versions from two German productions on our compilation. The Part You Throw Away is taken from Ute Lemper's album "Punishing Kiss", 2000. Fannin Street was written by Tom and Kathleen for John Hammond and was originally released on Hammond's album "Wicked Grin", 2001.