Peshkar: Zaki Hussain, Larry Coryell, L. Shankar, etc.... December 17th, 1987 Brighton, England FM/SBD (BBC3 1988-10-27) > TDK SA-C90 cassette masters > Pioneer CT-S550S with azimuth correction > Sony JE530 A/D (44.1k) > Nomad JB3 > .wav > CEP > .wav > FLAC > CDR Disc #1: 1. Zakir Hussain introduction 3:23 2. (music) 40:08 3. Zakir Hussain introduces Larry Coryell 0:54 4. Larry Coryell preamble 1:02 5. Opus I (with Larry Coryell) 7:19 6. Opus II (with Larry Coryell) 6:23 7. Zakir Hussain interviewed by Graham Sheffield 5:31 8. Zakir Hussain introduction 1:58 9. L. Shankar preamble 0:37 10. Ragam Tanam Pallavi (sp?) - L. Shankar 12:37 Total Time : [79:57] Disc #2: 1. Zakir Hussain preamble 0:44 2. (unknown) 12:10 3. Zakir Hussain preamble 1:44 4. I Want You 14:42 5. Zakir Hussain preamble 0:56 6. Scotland 10:00 7. Zakir Hussain preamble 0:14 8. Sally 5:02 9. Zakir Hussain preamble 0:15 10. Sabba (sp?) 6:33 11. Making Music 24:40 Total Time : [77:00] Copied from TV guide at time of broadcast: Shiv Kumar Sharma : santoor L. Shankar : violin T.H. Vinayakram : ghatam Zakir Hussain : tabla Larry Coryell : guitar Additional musicians announced during performance: Neyna (??) : tanpura Anthony Hindson : guitar Produced by Graham Sheffield Titles not known for d1t02 and d2t02; spelling of titles for d1t10 and d2t10 may be incorrect. Editing: (1). Applied TTF filter to remove hum within first few seconds (probably hum from radio continuity announcement - only affects the first second or two of audience applause in d1t01). (2). All samples multiplied by 1.33 (equivalent to +2.5db). (3). Joined and smoothed 3rd tape flip (between Scotland & Sally). (4). handful of FM clicks removed using Audition click removal. The following edits enable entire show to fit onto two 80 minute CDs: (5). Removed 15 seconds of applause when L. Shankar is introduced at 66:16 (6). Removed 10 seconds of applause when Shiv Kumar Sharma is introduced at 1:53 (7). Removed 2 seconds of applause when Neyna (?) is introduced at 2:05 (Applause removed with fades/overlaps so sound is continuous and with no obvious discontinuities - no music was harmed etc etc).