Mike Watt & The Black Gang October 24, 1998 Louisville, KY @ Mercury Paw SBD > RCA Out > Sony D8 DAT @ 16 bit / 48 kHz > Fostex D5 > Opti > JB3 > USB > PC > WAV > Adobe Audition (Edit channel dropouts in 1st 20 minutes) > CD WAV (tracking) > flac > CDR Disc One: 01. In The Engine Room 02. Red Bluff 03. The Bluejackets' Manual 04. Pedro Bound! 05. The Boilerman 06. Black Gang Coffee 07. Topsiders 08. No One Says Old Man To The Old Man 09. Fireman Hurley 10. Liberty Calls! 11. In The Bunk Room/Navy Wife 12. Crossing The Equator 13. Breaking The Choke Hold 14. Wrapped Around The Screw > Shore Duty 15. Rebel Girl 16. Big Bang Theory 17. I Have Always Been Here Before 18. Forever/One Reporter's Opinion 19. Friction (Television) Mike Watt : Bass, Speil Nels Cline : Guitar, Vocals Bob Lee : Drums, Vocals Steve Reed : House Mix, Vocals Disc Two: 01. Little Johnny Jewel (Television) 02. This Is A Prayer 03. My Head Is My Only House (Unless It Rains) ------- October 23, 1998 Detroit, MI @ Alvins 04. The Red and The Black 05. Fear Is A Man's Best Friend 06. Maggot Brain (Funkadelic) 07. Walking The Cow 08. Secret Garden 09. The 15th 10. Big Train 11. Drove Up From Pedro --------------- Scarcity of Tanks January 15, 2009 San Pedro, CA @ Harold's Place Sony D-50 > soundforge (eq, limiting) > FLAC > CDR 12. (2:32) 13. (3:44) 14. (6:17) 15. (6:30) 16. (4:32) (3:53) REMOVED (4:39) REMOVED Matthew Wascovich - voice Chris Grier - guitar John Petkovic - guitar, vocals, clarinet, tamborine Mike Watt - bass guitar Weasel Walter - drums a band led by cleveland based poet Matthew Wascovich featuring various underground luminaries. The modus operandi features improvised rock with wascovich's singular poetry on top. could this version of the band be Flipper meets CCR? an avant garde version of the John Cafferty Beaver Brown Band? we'll let you decide. Scarcity of Tanks debut LP release "No Endowments" has just been released - these shows were part of a series of West Coast shows promoting the record. the recording is a decent, close room recording. the instruments are fairly well balanced, but the vocals suffer a bit from the placement of the recorder at the side of the stage.