Fugazi April 10th, 2001 Tucson, AZ @ Rialto Theatre SBD > 90 minutes DAT > cassette (1st gen) + audience Sony ECM-MS907 > Sharp MD-SR60 > SF4.5 > CDR > thir13en remaster > flac > CDR audience source used for patches in 1 (0:00-1:55) and 11 (4:37-4:51, tape flip), and tracks 21-23) Disc One: 01. -intro- 02. Break 03. Sieve-Fisted Fiend 04. Reclamation 05 Public Witness Program 06. Closed Captioned 07. Nightshop 08. Bed For The Scraping 09. Place Position 10. Furniture 11. Strangelight 12. Cashout 13. Recap Modotti 14. Do You Like Me 15. Waiting Room 16. Burning 17. Suggestion Disc Two: 1. Oh 2. Number 5 3. Long Division 4. Rend It 5. Great Cop 6. Target 7. Argument 8. Arpeggiator 9. -encore- 10. Instrument 11. Smallpox Champion 12. Sweet And Low original notes: This show kicks ass! My friend Vic got this copy of the board straight from Ian's master Dat and it sounds killer. I also have the whole show from my master audience(Sony ECM-MS907>Sharp MDSR60master) which I had to splice in for 10sec in the middle of "waiting room"(Ian made a bad tape flip making my buddy his copy). The last three songs are also from my audience since Fugazi only runs 90min Dats on there deck it cut before the show was over. If you get this in trade from me I'll send along a copy of the note Ian included, it's pretty cool. thir13en's notes: A strange source, as the bulk of it was apparently from a SBD-sourced cassette that Ian distributed himself. That source contained the show up to the encore, with a brief tape flip in the middle of "Waiting Room". At some point, someone added parts from an AUD to include; the intro (T01), the missing tape flip bit (late in T15), and the post-encore songs (T26-T29). Add to this that the tracking was very weird, often cutting off beginnings of songs and yet others had end-song and noisy noodles as the track start, while many others were mashed 2 songs into 1 track. And some, but not all transitions inherited an SBE. Also the AUD to SBD transitions were abrupt, the AUD levels were a volume jump, and the EQ difference between them was a bit more disturbing than need be. As tempted as I was to re-edit and eliminate the AUD parts, I didn't. Someone put in the time to make it complete and I'll respect their work to leave that part alone. But all the other mentioned "issues" were dealt with: Transitions retracked, duel songs split, SBE's fixed. EQ'd AUD to better match SBD. Q'd, Comp'd, R-Verb'd, BBE'd, L3'd the whole thing.