Bob Dylan & The Grateful Dead
July 4th, 1987 
Foxborough, MA @ Sullivan Stadium
SBD with audience splices > flac > CDR

01 [5:13] The Times They Are A-Changin' 
02 [5:04] Man of Peace 
03 [5:22] I'll Be Your Baby Tonight [w/Jerry Garcia on Pedal Steel guitar] 
04 [6:45] John Brown 
05 [4:37] I Want You 
06 [5:44] Ballad of A Thin Man 
07 [6:51] Memphis Blues Again 
08 [6:42] Queen Jane Approximately 
09 [7:20] The Chimes of Freedom 
Slow Train [removed due to official release] 
Joey [removed due to official release] 
10 [4:51] All Along The Watchtower 
11 [6:41] Knocking On Heaven's Door 
12 [0:09] announcer and crowd 
total - 65:19 

Bob Dylan - guitar, vocals 
Jerry Garcia - guitar, vocals 
Bob Weir - guitar, vocals 
Brent Mydland - keyboards, vocals 
Phil Lesh - bass guitar 
Bill Kreutzmann - drums 
Mickey Hart - drums 


SBD Sony multi-track PCM master > mixdown cassette [recorded on Sony TCD5M] > Sony F1
PCM Beta tape > PCM Beta clone > CD [digital transfer with HHB standalone]. 
with splices from: 
FOB Sennheiser me80 microphones > audience cassette master > shn
[note: the audience source was speeded up by approx. 3.6 percent - adjusted with Pro Tools to match speed of soundboard source which was correct]. 
Combination REMASTER info: 
Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT No equalization or noise reduction was used in the remastering process. 

Notes: The six summer of 1987 Dylan/Dead shows were interesting because it seems that a lot of Bob Dylan fans who were not also Grateful Dead fans thought it to be a low point of Dylan's career while Bob Dylan himself and the Dead band members loved the experience (as did the Deadheads of course). The problem for Dylan's fans was that although the musicians had run through a huge number of songs during the early June rehearsals, nothing was heavily practiced and the Dead members had no clue of the setlists until shortly before each show. None of this bothered Dylan, The Dead or the Deadheads much, but Dylan fans who wanted a slick backing band were disappointed. 

The mastering deck for this tour's soundboard recordings was a Sony digital multitrack wide tape PCM format from which mixed-down preview copies were made on cassettes for Dylan and the Dead members to pick out which songs would be used for the planned album release.